Prescott (Malden) and his family set out west for the frontier via the Erie Canal, the "West", at this time, being the Ohio River country, at the southern edge of Illinois. Pulled the first section on a barge, they then build rafts to continue on the river free of charge. Along the journey, they meet Rawlings, who is traveling east, to Pittsburgh, to trade his furs. Rawlings and Zebulon's daughter, Eve (Carroll Baker), are attracted to each other, but Linus is not ready to settle down.
While there, he falls in love with Hollywood and Virginia Hill. The themes of Bugsy are chasing west coast dreams and trying to go legitimate, away from the criminal life. Ultimately, as with many great mafia movies, these hopes dry up in desert heat.
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Scorsese returns to the world of Mafia movies with a stunner. Starring his old pals Robert De Niro, in one of his all-time performances, and Joe Pesci (along with first-timer Al Pacino). Scorsese crafts one of his best films that is absolutely worth 3.5 hours of your time. By covering decades of Frank Sheeran's life, we a more expansive and layered portrait that we rarely get in Mafia Movies.
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If memorable war movies mean something to you, open that book to a new page and add "Fury" to the list. It belongs there. Even if you're not keeping a list, it's hard not to be impressed by what writer-director David Ayer, powerfully aided by star Brad Pitt and an exceptional below-the-line team, has accomplished with this bleak and savage story of a World War II tank crew operating in Germany during the last month of the European war. The advance spin on "Fury" has been, in the words of one of its producers, that it's "not your grandfather's war movie." Like most hype, that turns out to be only half true. In fact, what makes this film distinctive is the adroit way it both subverts and enhances old-school expectations, grafting a completely modern sensibility onto thoroughly traditional material. For though they don't necessarily act in expected ways, the five-person cross-section-of-humanity tank crew headed by Pitt's Sgt. Don Collier, a.k.a. Wardaddy, fits squarely into familiar Hollywood models involving men doing what men have to do because no one's going to do it but them. (Kenneth Turan) Read more
The newest Christopher Nolan film is the rarest beast in the Hollywood jungle: a mass audience picture that's intelligent as well as epic, with a sophisticated script that's as interested in emotional moments as immersive visuals. (Kenneth Turan) Read more
Wearing a loose-knotted black sweater that revealed his carved torso beneath, the pianist, singer and songwriter known as Perfume Genius sat before a whisper-quiet sold-out crowd at the Roxy in West Hollywood and tried to explain the raw, full-throated wail he'd just unleashed. Dubbing it his "general horror movie scream," the artist born Mike Hadreas had just poured forth during "Grid," a highlight from his new album, "Too Bright," and devastating as performed live in a room with so much history. It was a harrowing cry amid a remarkable set, delivered from the thin membrane that separates singing and raging, a place expertly inhabited by artists including Jeff Buckley and his father, Tim, Fiona Apple and the Cocteau Twins' Elizabeth Fraser. A realm that straddles an egoless display of creative emotion and uncontrollable onstage breakdown. (Randall Roberts) Read more
Naomi Klein has made a career critiquing the effects of global capital and consumerism. Her 2000 book "No Logo" looked at the exploitation of workers by large multinationals, including Nike; her follow-up, "The Shock Doctrine" (2007), examined the ways in which corporations benefit from disasters, wars and other upheavals, often with the assistance of policy initiatives. These books have led to the Canadian-born Klein being called "the most visible and influential figure on the American left." For Klein, the tensions between individual freedom, individual rights and the primacy of the political-corporate complex exist in something of a crisis state. Nowhere is this more true than when it comes to climate change, the subject of her new book, "This Changes Everything: Capitalism vs. the Climate," which argues, in the starkest terms imaginable, that we as a culture have reached a tipping point. Read more
Ann Taylor and Loft have a new, free-spirited sibling. The American retailer has launched a brand called Lou & Grey that's a tomboyish fusion of active and street wear, or "lifewear" as its being positioned. Available in Loft stores, on LouandGrey.com, and in the first Lou & Grey freestanding store recently opened in Westport, Conn., the brand features sporty and loungey soft-dressing pieces in a pale color palette, including mélange knit moto jackets, slouchy linen T-shirts, textural oatmeal knit sweaters, sweat-shirt dresses and lace sweat pants from $30 to $100. I caught up with Austyn Zung, creative director of Loft and Lou & Grey, and a veteran of Loft, Gap's Fourth & Towne, and Oscar de la Renta before that, to chat about the new brand under the ANN Inc. umbrella, its roots in California ease, and the key building blocks of the collection. Read more 2ff7e9595c
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